Mapping the Unjust City / Vem äger staden

Mapping the Unjust City / Vem äger staden is an interdisciplinary collective based in Stockholm, Sweden, formed in 2015, with members working in the fields of art, design, architecture, and aesthetics.

The body of work of Mapping the Unjust City / Vem äger staden is a collaborative process exploring civil rights in relation to ownership in the built environment, with an ambition to visualize and distribute information to promote consciousness and action.

Group members include Maryam Fanni, Elof Hellström, Åsa Johansson, Sarah Kim, Paula Urbano.

The group has prior to 2018 presented under the name mdgh, an acronym that stands for Mot Den Globala Hemlösheten (Against the Global Homelessness), a fictive association originally started in order to investigate responses from shopping mall owners on demonstration rights.

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Panel discussion: Impakt festival

Utrecht, Netherlands
2022.11.04

Mapping the unjust city participated in the panel discussion, entitled Platform City with architect and urban theorist Ross Exo Adams, and filmmakers Μarta Dauliūtė & Viktorija Šiaulytė, moderated by curator Florian Wüst. The panel was linked to the film Good Life (2022), which was screened as part of the festival programme. The curators of the festival aimed to expose the paradox of the seemingly smooth operations that form our perspective on technology and in this panel posed the question “How does the integration of urban design, ubiquitous computing, sensing technologies and financialised capital act upon the human body and its relationship to time and space?” Issues of urban space and their transformation through platform technologies were discussed as well as the value of critical cartography.

Photography: Pieter Kers

Group exhibition: "Phantoms of the commons", Tensta konsthall

2021.10.29–2022.01.16

Betongkvarter som flyter ut i drömska färgfält, en konstnärsgrupp som granskar ägarförhållanden utmed blå tunnelbanelinjen, en ljuddikt om tigrinja-språkets rotlöshet och en uppfinning som för att återskapa våtmarker på Järvafältet. Det är några av de konstnärliga förslag som kom in i samband med den open call som Tensta konsthall utlyste i somras. Av 134 inskickade bidrag visas nu verk av 26 konstnärer i utställningen Phantoms of the Commons.

Iaspis Open Studios

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Iaspis Open Studios, 2020. Photo: Jean-Baptiste Engblad Béranger

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Residency room at Marapouparken Gästrummet, 2019
Residency room at Marapouparken Gästrummet, 2019
Residency room at Marapouparken Gästrummet, 2019

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Residency room at Marapouparken Gästrummet, 2019
Residency room at Marapouparken Gästrummet, 2019
Residency room at Marapouparken Gästrummet, 2019

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Residency room at Marapouparken Gästrummet, 2019
Residency room at Marapouparken Gästrummet, 2019

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